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But at its core, notes Raz, the show is also about paternal love, untenable grief and lifelong friendships tested under immeasurable pressure and strain. “Hit and Run” succeeds in reaching those high peaks, with breathtaking, neck-whipping plot twists at every turn. You get to the edge, get to the highest peak ever, and then you think about how you get to the higher peak. Our policy is that you start the fastest way possible. But in the case of creating a TV series, you need to do that. “Of course, you never run a marathon like that.
HIT AND RUN NETFLIX MOVIE
“There’s a joke taken from an Israeli movie in which the character playing an officer in the Israeli Special Forces says that when you do a marathon, you start the fastest way possible - and then you increase speed,” says Issacharoff. With “Fauda” providing such a runaway global sensation, Issacharoff, who writes about Middle East politics for such news outlets as Haaretz and The Times of Israel, knew that the expectations for “Hit and Run” were going to be extremely high. We are at an exciting inflection point in the entertainment industry where Lior, Avi and Faraway Road are well positioned to fulfill the growing interest to access these stories from around the world.” and worldwide who are also passionate about doing more global stories that connect us all. “Along with Avi and Lior and our entire team, I help expose and develop these ideas with top talent here in the U.S. “They are extremely creative and collaborative so they bring ideas, perspective and stories from their part of the world,” she says.
HIT AND RUN NETFLIX PROFESSIONAL
There is also something very compelling and dynamic about their creative partnership and how they each approach character and story.”īetween Wiley’s contacts and track record working stateside and Raz’s and Issacharoff’s international relationships, Wiley calls their professional partnership, “a perfect marriage.” “For creators to deliver on all of this while respecting multiple characters and cultural perspectives is no small feat.
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“I loved ‘Fauda’ and was riveted by their ability to weave their real-life experiences into such a complex, suspenseful, propulsive yet emotional series,” says Wiley. Raz and Issacharoff are also writing Season 4 of “Fauda,” an international juggernaut not only in Israel, but in such disparate places as Lebanon, Sweden, Gaza and Turkey. Her key focus, she says, “is to work alongside to help expand their brand with global voices in content.”Ĭurrently, Faraway is in pre-production with director Greg Barker on a fact-based spy thriller for Showtime. The focus, says Raz is “to make TV shows and stories that bring out new voices, different voices, foreign voices.”īridget Wiley, formerly executive vice president of current programming at CBS, has been tapped as head of development at Faraway Road.